Recently, I watched the 2008 film version of The Other Boleyn Girl. (Why, why did I do this to myself?) While musing on the sheer historical inaccuracy and wondering where Benedict Cumberbatch disappeared to halfway through the team, we came to a rather disturbing rape scene between Henry VIII and Anne Boleyn. It’s a common theme in a lot of historical fiction to have Henry rape Anne, and this isn’t the first instance of it by far. There’s no historical evidence to suggest that Henry was ever violent towards Anne (execution notwithstanding) and so I ask myself, why do we keep seeing this distressing motif repeated in fiction?
In recent years Anne has received a far more sympathetic treatment from historians than her contemporaries ever gave her. Modern historians are generally in agreement that the label of ‘The Great Whore’ was undeserved. Recent biographies have moved away from the idea of a scheming woman using her body to ‘entrap’ the king and focused instead on her intelligence, wit and ambition. At the time those around her conceded, sometimes grudgingly, that what she was lacking in beauty she made up for in personality. George Wyatt praises her musical talents, her graceful dancing, education and the way she conducted herself in general. Anne Boleyn was, in essence, the perfect courtier so it’s not a surprise that she soon established herself as the most popular woman at court.
Despite the modern desire to consider Anne as a bright, intelligent woman we can’t just ignore the fact of her sexual appeal. Even though her dark looks were not as traditionally beautiful as the paler skinned, fair haired women Englishmen apparently preferred, we cannot deny that there was something quite obviously attractive about her. While her intelligence and learning maintained the interest of the king, this was coupled with some sort of physical attractiveness, whether it was her virginity, her sensuality or just her sheer self confidence. She wouldn’t have caught the king’s eye simply with her choice of reading material. Their earliest meeting is thought to have been the famous Chateu Vert which would become eerily prophetic; the masque being about a man’s desire for a woman who holds out against him but eventually relents allowing him access to her. Anne, ironically, was cast as Perseverance.As sexual as Anne may have been, we have every reason to believe that she was a virgin when she first slept with Henry. Although the court was riddled with flirtations and innuendo, Eric Ives suggests that the tradition of courtly love, despite the inherently sexual aspects of the game, would not have involved (as a general rule at least) any actual sexual activity. It was, after all, in place to govern courtship and allow potential partners to meet and get to know each other under the sanctions of chivalric tradition. While Anne certainly had her fair share of suitors and a rumoured betrothal with Henry Percy, later Earl of Northumberland, David Starkey dismisses the idea that they might have lain together, claiming that Anne would not have thrown away her reputation on a ‘potential’ match.
How then do we move from Anne the virgin to Anne the rape victim?
The poem ‘Who so list to hunt‘ by Anne’s contemporary and rumoured love interest Thomas Wyatt, presents us with the image of Anne as a hind hunted by the male courtiers, all competing to outdo each other and capturing her. While the poem adequately reflects Anne’s appeal at court and the attention she commanded, we cannot help but notice that the aim of the hunt was to capture and kill the hind, as Henry VIII, the winner of her affection, went on to do. But nothing contemporary suggests that Anne was the victim of rape.
In modern films, Anne is raped by her husband in Henry VIII (2003) and The Other Boleyn Girl (2008). Genevieve Bujold’s Anne refers to a rape in her younger years in Anne of the Thousand Days (1969), but it doesn’t form part of the main story. Henry VIII and The Other Boleyn Girl share many similarities in script (because they were written by the same man rather than because they drew from the same history) yet the rape scene is used for very different effect in both instances. In Henry VIII it is used to demonstrate the irretrievable breakdown in their relationship; Henry rapes her rather than continue an argument with her. As Anne is traditionally shown to be wilful and fiery-tempered the rape can be seen to show how Henry is unwilling to put up with her temper, preferring her instead to become a submissive wife. After leaving her, we see that Henry breaks down himself, trying to come to terms with what has happened to them as a couple. Other instances don’t tend to use it as a metaphor and wield it with far less subtlety. In the novel The Reincarnation of Anne Boleyn, Henry VIII rapes her because he can’t stand to think of her with another man. Following a similar theme in The Other Boleyn Girl Henry rapes her simply because he cannot restrain himself anymore.
During an argument, Henry tells Anne that he has broken with the church, sent Katherine, ‘a good woman’ away, and turned the country upside down to marry her, therefore she must consent to sleeping with him. When she refuses he simply has her anyway. In these cases the rape, worryingly, is portrayed as a compliment to her. The compliment is one of possession; Henry wants her so much he is willing to rape her and what woman wouldn’t be flattered by such attention. A description of Anne in the novel Brief Gaudy Hour presents her body as “a snare for any man” and here we have this confirmed on the screen. Certainly, in The Other Boleyn Girl we are given the impression that Anne has led Henry, and also herself, to this by teasing him but never giving into his advances.
Perhaps what is most worrying is that Anne falls pregnant as a result of the rape and goes on to birth Elizabeth. By the end of the film, Elizabeth is hailed as one of the greatest monarchs England has known and we are to forget that her mother was raped. In effect the rape is fully justified on-screen as Elizabeth I is the result and her mother was to blame by driving Henry to the act in the first place.
Thankfully the rape of Anne Boleyn is limited in fiction and we can hope that it remains so. For the moment we, sadly, have just the few instances which largely portray it as something that is unavoidably Anne’s fault. The rape is seen as the punishment for her ambition and the return she gets for holding out against the king by using her body as the ‘snare’ to trap him. Apparently, it is not enough that she lose her head in her quest for the throne, but she must be raped into the bargain; the price she pays for leading a man on.
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8 thoughts on “The Rape of Anne Boleyn”
Your review definitely makes me want to read some of these historical fiction!
I actually didn’t see the rape as justified/her fault, but as a blatant display of just how horrible the king was. I thought it could be possible only not in the way we commonly view rape, but the rape a lot of women must have endured in those days by the hand of their husband. It’s still rape, but they didn’t see it as that in those days, just marriage. I also thought the birth of Elizabeth was a victory for Anne and the women of England, and was shown to be thus. Here’s a woman who refuses to get married, stays a virgin by her own choice (although, I guess this is arguable), and who is one of the best monarchs ever.
Henry is a really nasty piece of work in some fiction, isn’t he?
Interesting point though, about how Anne turns around something so negative to a victory in the birth of Elizabeth.
Elizabeth herself is a fascinating character, I mean after seeing your mother executed for ‘adultery’, her replacement die in childbirth, one of her replacements executed for actual adultery and then to see Catherine Parr pine away for Thomas Seymour and eventually die, again in childbirth, it’s no wonder she swore off men for life!
I love Elizabeth. I had a pretend friend I wrote to in my diary (as a kid) that I named Elizabeth because of her. I never liked Marie Antoinette until I read an awesome book that made me realize how difficult it was for her (arrogant me!). I forgot (or people have a funny way of skipping over this when they mention the fake cake incident) how young and how important her marriage was, and how crazy that must have been. Although I have to admit I find her mom way more bad ass.
I know what you mean, I find the same with Mary, Queen of Scots. She tends to get a lot of attention, for obvious reasons, while her mother Marie de Guise was off making war in Europe and holding Scotland for her against the English!
It’s kind of indicative of modern rape culture that we punish unpopular characters with a rape ‘they brought on themselves’.
Love reading your stuff.
I think it’s less about Anne in particular and more about the modern fashion for using rape as a quick and dirty way to establish that a certain character is a capital-V villain, no matter how out of character or unhistorical it may be for that person. If you don’t mind the self-linkage, I wrote a post about it a few months back: https://anneboleynnovels.wordpress.com/2013/03/23/intermission-cruel-intentions/. Though it is unusual to have Elizabeth come out of rape — usually it’s the January 1536 miscarriage. But as I said, it’s not just Henry/Anne — other men tend to get portrayed as rapists also (George Boleyn and Thomas More on multiple occasions) so we’ll be sure not to have any sympathy for them.
Thank you for your comments, I really appreciate it! 🙂
It’s certainly a growing concern, as rape has become such a noticeable point in modern days, I guess it was only a matter of time before we start applying it to days gone by.
Link away! Your article is absolutely fascinating, Thomas More’s descent from upstanding, honest chancellor has certainly gone downhill if he’s being portrayed as a rapist! Although you did also remind me of the Jane Seymour rape scene in ‘The Boleyn Wife’ and I do believe that I must have repressed that :S
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